If you ask Dream Eyes about his name, you’ll get some insight about who he is, and what makes him special. Born Tadhg Collins, in the village of Monagea, near Newcastle West, in Limerick, the music he makes now, all began with a difficult accident.
“Yeah, all these songs were after the accident, in 2019,” he explains, speaking of his growing discography, of which ‘Heaven’ is the fourth single in just over a year.” “I grew up in a small village called Monagea – it was good! Away from the noise of the city. And I played guitar and sang since those days.” “I was in a motorbike accident, and got hit by a car, in 2019. Yeah, it was quite a big change in my life actually.” “My left arm was paralysed for a year and a half,” he smiles, with his characteristic brightness and calm, “It’s slowly kinda coming back to life again…!” The life-altering accident caused Collins to move towards electronic sounds, “I wasn’t able to play acoustic guitar for a long time, so I played synths.” ‘Heaven’ is a slice of rich reflection on this theme. “The synths in the verses, I think they’re ethereal, and dreamlike – it’s this idea of the sweetness of staying in your head.” Collins’ low vocal melody rides an airy, smooth production like a steady wave. “Then the hook is harder hitting. I wanted to pull away from that dreamlike place.” Here the production ramps up, with Collins’ vocal picking up, and charging with a healthy frustration at living in a daydream. All this is quite beautiful to take in, when you consider that this song, is the putting into practice of these ideas for Collins – a young artist who decide to take what was beautiful in his dreams, and make them a reality. With his singles going from strength to strength, on ‘Heaven’ benefitting from co-production from collaborator Kieran Lane, recorded in Sun Studios, and with mixing by Kieran Lane, and mastering by Chris Le Dantec of Draftlab Mastering, the future is bright for the thoughts and fantasies of Dream Eyes. Comments are closed.
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